Few university art museums have a collection as wide-ranging as the Eskenazi's. Using the museum's own words, its "thoughtfully collected objects represent nearly every art-producing culture throughout history." That is no exaggeration. The African and the Oceanic collections here are impressively diverse. How often do you get to see a carving from Madagascar, or a figure from Atauro Island in an U.S. art museum, let alone one in a university? On the other hand, a few other collections are noticeably smaller, and they leave me with the impression that the only reason they are on display is to make the permanent exhibitions encyclopedic.
The very well-written and detailed labels are a huge plus point. Not only are they arranged by geographic regions and cultural groups, they are also supplemented by educational and interesting themes. Given the all-encompassing nature of the collection here, maps would be a nice addition on introductory labels.
On the contrary, lighting may be the most disappointing part of this otherwise great museum. It does not enhance the viewing experience of the art and often reflects on the display cases. Worse still, because what would normally be displayed separately (e.g. African art and Pre-Columbian art) is grouped together in one single gallery space at the Eskenazi, lighting tends to be uniform on most pieces. While I'm not an expert on lighting, it doesn't feel right if Roman marbles and Buddhist sculptures are lighted the same way.
My obsession about lighting shouldn't, and probably won't deter anyone from visiting this place. Free admission, multiple entrances that lead directly to different levels, and a high-ceilinged atrium (though doesn't feel particularly spacious) join force to make the Eskenazi an inviting space to learn about and enjoy art from different areas and eras, or, again, using the museum's own words, "to see the world without leaving Bloomington".