Somehow it does seem that four stars should be more than liked it, and five should be absolutely superlative. With Boston Ballet there were some very precious and treasured evenings of watching lovely performances.
The first time we went a colleague had invited and Rudolf Nureyev was to perform in Don Quixote with Paris Ballet, and all dressed up with high expectations off we went. Halfway through the performance I was wondering why the title performer seemed less of an attraction and the young lover more so, was I not artistic enough to know subtleties of ballet? I had assumed Nureyev would be doing the title role.
Then on it was an addiction not easily satisfied what with meagre economic resources and high costs of the evening, but then a few years later it became possible, just about, and I went ballistic, buying a year's subscription when offered on phone. So it began for the short year that it was.
There was the eternal superlative Swan Lake, and that was the first one we saw, with me a friend with her Russian heritage and therefore much more knowledgeable in ballet. I loved it, she had seen better and merely said she had as much or more fun watching me.
I don't remember which was the third one, because Sleeping Beauty I saw in NY with American Ballet, but in Boston I recall vividly performance of Romeo and Juliet, with its poignant music and its conception of Death as a character.
In between I was fortunate enough to see a film about Kirov Ballet in downtown Boston, and a performance of Swan Lake by Bolshoi on cable - then it was new - in the friend's home on their small television. It was a revelation, and remains the peak of my ballet appreciation so far.
What with beginning with Nureyev in Paris Ballet and finale with Bolshoi, still, the Boston Ballet with the two memorable performances we saw remain memorable. The music, watching them take flight as swans and perform as humans, everything fairy tale. As it is meant to be.